yesterday I accidentally witnessed this in my pedro town…
photo by mike watt
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mike watt’s hoot page
yesterday I accidentally witnessed this in my pedro town…
photo by mike watt
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mike watt’s hoot page
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“Friday the 13th” * (2009, Arrow Video) Polished studio revamp of the enduring slasher franchise attempts to lend context to its slaughter parade – specifically, that masked killer Jason (played here by Derek Mears) was motivated by the murder of his mother, who was herself responsible for the death of counselors at Camp Crystal Lake – before settling into kill spree territory. A high-gloss “Friday” from, among others, director Marcus Nispel and producer Michael Bay (and series creator Sean S. Cunningham as co-producer), may not be a selling point for horror fans – Nispel/Bay produced an equally upscale remake of “The Texas Chain Saw Massacre” to no good end – and their take, while visually attractive (thanks to cinematographer Daniel Pearl) and quite gruesome, can’t quite surpass or reproduce the Big Dumb Fun and chief appeal of the original “Friday” films (Nispel is a particularly dour and humorless filmmaker). Others may find its lack of kitsch and relentless approach a draw, and to that end, Arrow’s 2-disc, 4K Ultra HD presentation offers a comprehensive package of “Friday” ’09. Both the theatrical version and a longer, gorier “Killer Cut” are included, along with new commentaries by and interviews with Nispel, Pearl, writers Mark Swift and Damian Shannon, as well as a track with historians Alexandra-Heller Nicolas and Josh Nelson. Archival material includes several making-of featurettes with cast and crew interviews, a showcase of its murder set pieces, deleted scenes, and extensive liner notes.
result of a tree that lived next to the now-closed westway tank farm here in my pedro town…
photo by mike watt
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mike watt’s hoot page
Hollywood Dream – The Thunderclap Newman Story by Mark Ian Wilkerson (Third Man Press, available October 1).
This is an exhaustively researched history of a band whose actual lifespan was stunningly brief, while creating ripples that reverberate to this day. Who fans with a taste for Pete Townshend trivia will find a lot to luxuriate in here, as the chapters devoted to the group’s formation and recording inevitably revolve around him. But each of the three band members is a remarkable character of his own, with a completely different background to the others, and it’s seems impossible they could have come together under any other circumstances than being three people in Townshend’s orbit. And with this trio of unlikely bedfellows, he produces the only number-one hit single of his entire career.
A good rock bio should resemble several evenings out at the pub, hearing the principals tell long rambling stories about the old days. There’s a lot of swinging sixties/ London stuff, but we also spend a good amount of time in the Scottish rock scene that birthed guitarist Jimmy McCulloch, who went from neighborhood whiz kid to actual rock star, before either joining Thunderclap Newman or turning fifteen years old. Wilkerson is an enthusiast for the material, and for good writing about rock music, and his latest addition to the canon is a real gem. And it might just inspire some more people to listen to the record, which is a treasure.
Mark Ian Wilkerson will appear at Book Soup in West Hollywood on December 3 at 7pm in conversation with Matt Pinfield.
The LA Beat attends a lot of benefits and food events, but LA Loves Alex’s Lemonade has a special place in our hearts. This annual event, taking place this Saturday, October 5, 2024– 12:00-4:00PM at Royce Quad in UCLA, carries on the spirit of Alexandria “Alex” Scott, a little girl with cancer whose front yard lemonade stand grew into a foundation that raised over a million dollars during her lifetime. The afternoon has a family vibe; children 12 and under get in free, chefs bring their children, and the event invites children battling cancer to attend.
Alex’s Lemonade Stand Foundation (ALSF) organizes food events all around the country in her name. Our local fundraiser, hosted by Chef Suzanne Goin, Caroline Styne (The Lucques Group) and David Lentz, is one of the biggest events, with world-renowned chefs and mixologists coming together to raise money for children’s cancer research.
* indicates that this title is also available to rent, stream, or purchase on various platforms. Please note that streaming options may differ from these home video presentations in terms of visuals, supplemental features, etc.
“High Crime” * (1973, Blue Underground) With the help of retired gangster Fernando Rey, police commissioner Franco Nero sets out to rid his home town of Genoa, Italy of drug dealers, but finds that his two-fisted approach doesn’t sit well with his superior (James Whitmore) or the dealers, who respond to his aggression with even greater violence. One of the better action-fueled crime films from Italy (and Spain) to emerge during the poliziotteschi boom of the early ’70s, “High Crime” benefits from a sure and skillful hand from director Enzo Castellari (the original “Inglorious Bastards”), whose talent for car chases and shoot-outs matches American efforts of the period, and a blond Nero, whose cop knows that his rampaging approach will come to no good, but appears unable or unwilling to change. Blue Underground’s three-disc set offers 4K and Blu-ray presentations, both remastered and uncut (the film’s final minutes are missing in some previous home releases), as well as three commentary tracks (Castellari with his son and BU head Bill Lustig, Nero with action expert Mike Malloy and Lustig, and historians Troy Howarth, Nathaniel Thompson, and Eugenio Ercolani), all of which are rich in production detail and anecdotes. Featurettes on the film with Castellari, Nero, composers Guido and Maurizio De Angelis, and members of the crew offer additional perspective, while Malloy’s video essay links “Crime” to “The French Connection” and French noir. A third disc contains the De Angelis’s complete and funky score.
The Hideaway doesn’t feel like any other Mexican restaurant in Los Angeles. Tucked away below street level on Rodeo Drive, this Mexican steakhouse has a Cabo-inspired vibe.
Centered by a patio that lends an open, airy feeling, The Hideaway’s four-sided fireplace adds vibrance, as do numerous wall recesses aglow with flickering flames of candlelight. The gorgeous palette of greens and pinks and plenty of hanging plants lend the restaurant a vacation-like atmosphere.
After being seated on the patio on elegant wrought iron chairs softened with colorful pillows, we were presented with chips and salsa. The initial salsa was a bit bland for my taste, but when I asked if they had a salsa with more heat, our server kindly presented us with two flavorful salsas and a tasty bean dip.
Though The Hideaway bills itself as a steakhouse, you’ll find plenty of fish and seafood options, along with vegan choices like Vegan Mushroom Enchiladas with wild mushrooms and poblano sauce, Crispy Cauliflower with ranch, and Hernando’s Chopped Salad.
people, after a couple of months… I’m over the ropes and back in the ring!
happy bday john coltrane!
we keep on keepin on…
photo by mike watt
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mike watt’s hoot page