“5-25-77” (2022, MVD Visual) Bittersweet, if overly long tribute to the pros and cons of the creative in the form of a nostalgic valentine to backyard moviemaking and teenage nerd-dom. Writer/director Patrick Read Johnson – a former special effects creator who directed another likable underdog pic, “Angus” – revisits his own childhood in the mid-70s Midwest, where he directs backyard sci-fi epics and dreams of Hollywood. A chance opportunity to visit Los Angeles introduces him to the reality of achieving those dreams via visits to the sets of “Star Wars” and “Close Encounters,” but there is also real life, including a shot at romance, to contend with. Produced over a period of nearly two decades, “5-25-77” (which was the release date for “Star Wars”) emerges with many rough edges intact (including a slow fizzling conclusion), but its core story – the need for Pat (John Francis Daley) to make movies – is depicted with charm and humor, both of which are buoyed considerably by Austin Pendleton’s turn as real-life cinematographer Herb Lightman and Emmi Chan as the girl who gives pause to Pat’s movie dreams. MVD’s Blu-ray includes commentary by Johnson, a Q&A from 2013, and promotional material.
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