“Ghostwatch” (1992, 101 Films/MVD Visual) British mock-documentary (though nothing about it is funny in the least) tricked out as a live TV investigation of supernatural activity involving a mother and her two daughters plagued by a poltergeist whose scope of menace quickly expands beyond their cramped London home. Director Lesley Manning and writer Stephen Volk (“Gothic”) are exacting in their attempt to pass off “Ghostwatch” as a real BBC special, complete with real TV presenters (Michael Parkinson, Sarah Greene, Craig Charles of “Red Dwarf”) and a call-in line which was besieged by terrified viewers who believed that the broadcast was real during its original (and to date, only) broadcast. Manning’s use of the documentary/news-style approach (a common horror technique today, but fairly unique in ’92) proves exceptionally effective here: the blandness of the camerawork and the presenters’ cheery banter is deceptively soothing before the supernatural phenomena overtakes not only the house but also the broadcast itself in initially subtle (and exceptionally creepy) ways that lead up to an all-out assault. A considerable (if not always acknowledged) influence on the “found footage” horror subgenre and a high-water mark for TV fright fare, “Ghostwatch” gets a 30th anniversary presentation with 101 Films’ standard and Limited Edition Blu-rays, which feature a retrospective making-of doc, highly informative commentary by Manning, Volk, and producer Ruth Baumgarten (a second and equally enjoyable track features historians Shellie McMurdo and Stella Gaynor), as well as an archival interview with Manning. Those with a few extra ducats should pony up for the Limited Edition release, which adds a reproduction of Manning’s shooting script with her annotations, a booklet featuring essays on the impact of the original broadcast and a short-story sequel by Volk, art cards, and reversible cover art.
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